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FilmLight Colour Awards Jury Announcement: Cinematographer Danny Cohen

We’re delighted to announce the first member of the jury for the FilmLight Colour Awards. 

Danny Cohen

Oscar and BAFTA-nominated cinematographer Danny Cohen is known for his versatility in crafting stories. He has worked with many directors including Stephen Frears, Richard … Continue reading →

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Honouring colourists

Wolfgang Lempp, CEO of FilmLight, explains the driving force and inspiration behind the launch of the new FilmLight Colour Awards 2021

At FilmLight, we have been serving colourists for close to 20 years, and our success is totally dependent upon … Continue reading →

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Company update

With the COVID-19 outbreak, FilmLight, like many other companies, is taking measures to minimise risks to its staff and customers.

We have always supported our customers in a flexible manner, whether by WeChat, email, WhatsApp or phone, and this will … Continue reading →

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Celebrate Colour with FilmLight

We’re hosting a series of events to ring in the New Year. Click the link below to find out more, and to let us know if you can make it…

Tuesday, January 28
2pm – Workshop
ARRI, Paris
6pm – Drinks… Continue reading →

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Golden Globe Awards 2020

Congratulations to all the winners of this year’s Golden Globes, announced on January 5 2020. Four of the main award-winners were finished on Baselight…

Best Motion Picture – Musical or Comedy
Once Upon a Time…in Hollywood
Graded by Yvan Lucas at … Continue reading →

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TVBEurope: Colour My World

From TVBEurope

Colour My World

Jenny Priestley visits boutique visual effects facility Youngster to find out how their colourist and creative artists are using FilmLight’s Baselight to colour grade content.

“We can email BLGs around to your heart’s content … Continue reading →

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American Cinematographer: Back in Time – Making ‘Once Upon a Time… in Hollywood’

From American Cinematographer

Back in Time: Making ‘Once Upon a Time… in Hollywood’

Robert Richardson, ASC and a number of his collaborators — including renowned colourist Yvan Lucas — discuss their approach to writer-director Quentin Tarantino’s period tale of Continue reading →

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Cannes Film Festival 2019 & Baselight

Congratulations to the winners of this year’s Cannes Film Festival.

Eight of the movies in competition were finished on Baselight, among them the winner of the Palme D’or, Joon-ho Bong’s Parasite graded by Kevin Kang at Dexter The Eye, and … Continue reading →

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Camera & Light: ARRI Academy HDR Master Class

In Camera & Light magazine, you can read about the ARRI Academy HDR master class at the San Sebastián Film Festival…

“Within the 66th internationalSan Sebastián Film Festival, an event organised by ARRI/VCI and FilmLight was held, dedicated to Continue reading →

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New videos – International Cinematography Days, Stuttgart, March 2018

Daniele Siragusano, Image Engineer at FilmLight, presented two seminars at the International Cinematography Days in Stuttgart earlier this year. Watch below, or go to Tutorials > Truelight Colour Spaces for these videos and more.

From Photons captured by a Camera Continue reading →

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Broadcast: Suite invests in Baselight for 4K HDR work

From Broadcast

Suite invests in Baselight for 4K HDR work

Purchase is part of facility-wide UHD 4K HDR upgrade

 

Post house Suite TV has upgraded its grading department with a FilmLight Baselight TWO grading suite with a Blackboard … Continue reading →

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Considerations when shooting and posting HDR for movies

Daniele Siragusano, Image Engineer, FilmLight

HDR has rapidly moved to the forefront in discussions on how to shoot and post premium content. Movies are increasingly choosing HDR as a second order deliverable and are searching for a suitable archive strategy … Continue reading →

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Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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