FilmLight presents Colour On Stage at IBC2019
Free programme expanded to two days to provide greater opportunities to see industry leaders in finishing demonstrate their craft
To register, visit: www.colouronstage.com
At this year’s IBC, FilmLight (stand #7.A45) is hosting the free two-day seminar series, Colour On Stage… Continue reading →
Pre-register for Colour On Stage at IBC2019
Pre-registration has now closed but general registration is open. Visit the following web site to register:
For more details about the programme, see our Press Release.
Creating movie star looks for HBO’s ‘Big Little Lies’
The second season of HBO’s runaway hit drama Big Little Lies was completed at Technicolor in Los Angeles. Finishing artist and Vice President of business development Pankaj Bajpai, famed for grading the HBO series Sex in the City, True … Continue reading →
Legendary colourist Yvan Lucas reunites with Quentin Tarantino for ‘Once Upon a Time… in Hollywood’
The latest movie written and directed by Quentin Tarantino, Once Upon a Time… in Hollywood, took the 2019 Cannes Film Festival by storm. The film visits late 60’s Los Angeles with colour and vitality realised by cinematographer Robert Richardson.… Continue reading →
Saudi Arabia’s first production facility incorporates Baselight
Following the lifting of a 35-year ban on cinema in the Kingdom of Saudi Arabia, Nebras Films has established the first full facility production and post service, based in Riyadh. As part of a complete offering, the post house includes … Continue reading →
TVBEurope: Colour My World
From TVBEurope:
Colour My WorldJenny Priestley visits boutique visual effects facility Youngster to find out how their colourist and creative artists are using FilmLight’s Baselight to colour grade content.
“We can email BLGs around to your heart’s content … Continue reading →
American Cinematographer: Back in Time – Making ‘Once Upon a Time… in Hollywood’
From American Cinematographer:
Back in Time: Making ‘Once Upon a Time… in Hollywood’Robert Richardson, ASC and a number of his collaborators — including renowned colourist Yvan Lucas — discuss their approach to writer-director Quentin Tarantino’s period tale of … Continue reading →
Youngster builds powerful workflows with BLG
One of London’s newest high-end finishing houses, Youngster, is delivering uncompromised quality thanks to FilmLight’s unique BLG workflow. Youngster is using the innovative setup to provide seamless, renderless content exchange between Flame VFX, Avid editing and the Baselight grading and … Continue reading →
FilmLight brings in Matthieu Straub to strengthen its international colour workflow team
Well-known French DIT and film workflow specialist, Matthieu Straub, has joined FilmLight. Based in Paris, he will provide technical advice and practical assistance to FilmLight clients in France and Benelux, as well as acting as the company’s voice in local … Continue reading →
Getting started with Baselight. Toronto. 25 July.
Join FilmLight and Artjail for an introduction to Baselight, FilmLight’s colour grading, VFX and finishing solution.
This one-day free course covers the core fundamentals of colour grading, colour space and media management in Baselight v5. The course combines demonstrations of … Continue reading →
BBC Street unlocks creative and technical opportunities with new Baselight TWO
BBC Street, the in-house post-production facility at BBC Scotland in Glasgow, has installed a new Baselight system to upgrade their grading and finishing suite with Baselight’s latest powerful 4K/HDR toolset and to improve their client experience.
BBC Street works for … Continue reading →
FilmLight finishing gives distinction to Cannes winners
Two of the top prizes at this year’s Cannes Film Festival have gone to ground-breaking movies which rely on FilmLight colour science for their distinctive looks. Parasite, from Korean director Bong Joon Ho, took the Palme d’Or, while director … Continue reading →
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